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タカノ ミワコ
TAKANO Miwako
髙野 美和子 所属 日本女子体育大学 体育学部 ダンス学科 日本女子体育大学大学院 スポーツ科学研究科 スポーツ科学専攻 職種 教授 |
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| 発表年月日 | 2021/09/09 |
| 発表テーマ | Takaya Eguchi and Avant-gardeDance：From a Postmodern Dance Perspective |
| 会議名 | 19th IAPESGW WORLD CONGRESS |
| 主催者 | IAPESGW |
| 学会区分 | 国際学会 |
| 発表形式 | 口頭（一般） |
| 単独共同区分 | 単独 |
| 国名 | 中華人民共和国 |
| 開催地名 | Tianjin |
| 開催期間 | 2021/09/08～2021/09/10 |
| 発表者・共同発表者 | Miwako Takano |
| 概要 | This study aimed to clarify the thinking of Takaya Eguchi—the architect of modern dance theory in Japan—regarding the avant-garde artistic dance, especially postmodern dance, that emerged from the 1950s to the 1970s.
As for the research method, I examined Takaya Eguchi's books, writing materials, criticisms of Eguchi's works, and previous research, and interviewed his disciples, postmodern dancers, and dance critics. It is possible to surmise that the emergence of postmodern dance made Eguchi even more firmly aware of the dance view to which he himself aspired—that is to say, modern dance—while innovative is a dance form that refines unique movement and composition based on dance’s aesthetic principles in order to express a theme through dancing performed by well-trained bodies. |